Paint interlocking opaque acrylic blocks with broad brush centres, dragged margins and overlapping corrections. Group source into few clear value planes. Brighter contrasts belong to setting and clothing; figure colour patches remain local. The finish stays painterly acrylic throughout. Broad silhouette, pose, proportions and colour masses only. Below fingertip scale all forms become opaque acrylic brush blocks. Eyes and nose are the same medium marks with one medium-made highlight. Texture everywhere. Every passage reads as opaque acrylic blocks, strands as blocky paint groups and eyes as matte medium marks. A tall scene of a gray British shorthair cat with round copper eyes and a plush dense coat, posed seated against a backdrop of colourful glowing bokeh lights; no people, a bright graphic portrait language stays materially painted through opaque overlapping brush blocks. No readable text, lettering, signs or logos anywhere; the picture fills the whole frame edge to edge, painted right to the borders with no blank margin, no checkerboard or transparency pattern.
Palette: slate grey, copper and magenta; bold, friendly.
Tall 9:16 portrait frame, composed vertically with the main line of the scene rising through the height of the frame.
