Build the image from ink impressions of joined textured matrix regions: varied contact grain, selective dark recesses and narrow printed seams integrated with the subject's forms, everything printed paper and ink. Resemblance in big shapes only: silhouette, pose, proportions, large patch areas. Below fingertip scale use only contact grain and seam. Any eyes or nose are grainy shapes with one paper-made highlight. Printed texture shows everywhere. Eye and coat colours become the material's closest values. Every detail stays printed grain and seam, strands as grained patches and eye shine as paper-light. A tall scene of a close-up of crystal-clear water droplets resting on the velvety petals of a blue flower, each droplet reflecting the sky, a soft green blur behind; no people, the image is built from printed textures of joined matrix materials with visible seams, the petals and drops rising through the tall frame. No readable text, lettering, signs or logos anywhere; the picture fills the whole frame edge to edge, painted right to the borders with no blank margin, no checkerboard or transparency pattern.
Palette: indigo, pale blue and silver; tactile, cool.
Tall 9:16 portrait frame, composed vertically with the main line of the scene rising through the height of the frame.
