Arrange small painted forms so their shared edges and colour masses also build the large subject silhouette at a larger scale. Make the large silhouette and painted feature spacing the primary reading, the forms themselves painted in source colours. Translate big silhouette, pose and colour masses into small painted forms and shared pigment edges. Below fingertip scale: only these marks. Eyes/nose: medium-made, one medium-made highlight. Texture visible everywhere. Every surface reads as assembled paint, strands as form clusters and eye shine stays medium-made. A tall scene of a group of adult friends in black and white profile, five faces overlapping in a nested row from front to back, all gazing the same direction in shared camaraderie, small painted forms whose shared edges also build the large silhouette of the group at a larger scale, the figures rising through the tall frame. No readable text, lettering, signs or logos anywhere; the picture fills the whole frame edge to edge, painted right to the borders with no blank margin, no checkerboard or transparency pattern.
Palette: warm ochre, teal and rose; connected, joyful.
Tall 9:16 portrait frame, composed vertically with the main line of the scene rising through the height of the frame.
