Unify the painting with broad connected tonal masses and narrow value steps across secondary boundaries. Resolve a few large painted edges clearly while others merge into the painted envelope, features staying readable within it. Use broad local-colour masses. Translate big silhouette, pose and colour masses into connected painted tonal masses and quiet brush edges. Below fingertip scale: only these marks. Eyes/nose: medium-made, one medium-made highlight. Texture visible everywhere. Every surface reads as connected tonal paint, strands as tonal masses and eye shine stays medium-made. A tall scene of a deer sprinting along a seaside shore at low tide, hooves kicking up spray, antlers high, waves rolling in beside it and wet sand mirroring the sky; no people, broad connected paint masses and compressed value intervals unite the deer and the sea, the stride rising through the tall frame. No readable text, lettering, signs or logos anywhere; the picture fills the whole frame edge to edge, painted right to the borders with no blank margin, no checkerboard or transparency pattern.
Palette: slate blue, warm tan and cream; graceful, muted.
Tall 9:16 portrait frame, composed vertically with the main line of the scene rising through the height of the frame.
