Granular mineral bodycolour painting

A woman mechanic stands facing the viewer in a workshop, wiping her hands on a rag, a motorbike behind her. No letters, words, signs or logos anywhere in the image. Build all forms from matte granular bodycolour and soft chalky paint passages. Let small pigment grains cluster inside deliberate painted shapes, with varied coverage rather than watercolour tide marks, oily gloss or raised impasto. Keep broad colour regions distinct. Translate big silhouette, pose and colour masses into granular matte pigment and chalky painted marks. Below fingertip scale: only these marks. Eyes/nose if present: medium-made, one medium-made highlight. Texture visible everywhere. No photographic detail or glossy eye reflections.

Create a new image entirely in the style of the attached image: the same medium, materials, technique, rendering and character design (how it builds faces, eyes, hair, bodies and proportions). Do not copy its color palette or its environment; colors and setting follow the direction at the end. Subjects: a woman and a man seated side by side at a small round cafe table with two cups and a croissant, and a merle grey-and-tan French bulldog sitting in front of the table facing the viewer. She has a short blonde bob, a cream ribbed cardigan, blue jeans and white sneakers, legs crossed, chin resting on her hand, smiling softly at the viewer. He has tousled light brown hair, an olive overshirt over a white tee, beige chinos and white sneakers, one hand on his cup, looking at the viewer. Everything, faces, hands, clothes and the dog included, is made in the style of the attached image; nothing photographic. Square 1:1 composition. Do not copy the attached image's people, objects or scene. Direction: whole-scene matte granular bodycolour painting with soft chalky passages where tiny pigment grains cluster inside deliberate painted shapes, varied coverage, no gloss, no impasto; setting a terrace with a dusty rose plaster wall, sage-green shutters, an ochre tiled floor and a potted lemon tree, all in granular chalky paint; broad colour regions kept distinct; faces painted with medium-made eyes and one highlight; keep the cast's real clothing colors. No text, letters, captions, banners, signs, swatches, color chips or decorative rules anywhere in the image. The artwork and any border finish completely inside the frame; nothing is cropped or overflows the edges.