Loop-network tonal drawing

A woman mechanic stands facing the viewer in a workshop, wiping her hands on a rag, a motorbike behind her. No letters, words, signs or logos anywhere in the image. Build drawing from a controlled network of irregular overlapping loops. Vary loop density and scale to describe form; densest loops mark the big anchors. Resemblance sits in big shapes — silhouette, pose, loop densities; below fingertip scale everything is pencil loops. Translate colors to faithful relative values. Eyes and nose, if present, are loop clusters with one pencil highlight. Every surface is drawn texture; no smooth underpainting, separate black contour shell, repeated symbols or random scribble overlay on photos; no photographic patches, crisp strands or glossy eye reflections.

Create a new image entirely in the style of image 1: the same medium, materials, technique, rendering and character design (how it builds faces, eyes, hair, bodies and proportions). Do not copy its color palette or its environment; colors and setting follow the direction at the end. Its subjects are the two people and the dog from image 2: keep their hair, clothing colors, the dog's coat, their pose, expression and the direction they look, and the cafe table with cups. Every part of them is made in the style of image 1, faces, hands, clothes and the dog included; nothing photographic remains. Square 1:1 composition; do not copy image 1's people, objects or scene. Direction: whole-scene graphite pen drawing of the cafe terrace made entirely of overlapping irregular looping lines, loops dense in shadows and open in light, on faces, hair, clothes, the dog, chairs, foliage and paving; monochrome dark graphite on a cool pale grey-white paper; clothes keep their real relative lightness (cream cardigan pale, jeans mid, olive shirt darker); airy terrace with a simple stone wall and a few potted olive trees. No text, letters, captions, banners, signs, swatches, color chips or decorative rules anywhere in the image. The artwork and any border finish completely inside the frame; nothing is cropped or overflows the edges.