Reed-pen wedge rhythm

A woman mechanic stands facing the viewer in a workshop, wiping her hands on a rag, a motorbike behind her. No letters, words, signs or logos anywhere in the image. Draw with reed-pen-like ink marks: alternate broad wedges, narrow edge strokes and occasional broken deposits, with big structural landmarks clear. Resemblance sits in big shapes — silhouette, pose, large wedges; below fingertip scale everything is ink wedges and edge strokes on paper. Translate colors to faithful relative values. Eyes and nose, if present, are ink wedges with one ink highlight. Every surface is drawn texture; no calligraphy text, rubbery brush ribbons, compulsory antique color or copied historical scene; no photographic patches, crisp strands or glossy eye reflections.

Create a new image entirely in the style of image 1: the same medium, materials, technique, rendering and character design (how it builds faces, eyes, hair, bodies and proportions). Do not copy its color palette or its environment; colors and setting follow the direction at the end. Its subjects are the two people and the dog from image 2: keep their hair, clothing colors, the dog's coat, their pose, expression and the direction they look, and the cafe table with cups. Every part of them is made in the style of image 1, faces, hands, clothes and the dog included; nothing photographic remains. Square 1:1 composition; do not copy image 1's people, objects or scene. Direction: whole-scene reed-pen ink drawing of the cafe terrace: broad ink wedges alternating with narrow edge strokes and broken dry deposits build faces, hair, clothes, the dog, table and chairs; a single deep blue-black ink on bright white laid paper; clothes keep their real relative lightness (cream cardigan nearly bare paper, jeans and olive shirt darker); terrace suggested with a few wedge strokes of foliage and paving, lots of open paper. No text, letters, captions, banners, signs, swatches, color chips or decorative rules anywhere in the image. The artwork and any border finish completely inside the frame; nothing is cropped or overflows the edges.