Three-chalk role modeling

A grandmother and her grown daughter bake bread together in a sunny kitchen, flour on the table, both looking at the viewer. No letters, words, signs or logos anywhere in the image. Use three chalk roles: warm chalk for middle planes, dark chalk for structure and depth, light chalk for selected raised lights on mid-value support. Keep marks powdery and form naturally proportioned. Resemblance sits in big shapes — silhouette, pose, large planes; below fingertip scale everything is powdery chalk on toned support. Map source colors to the limited palette. Eyes and nose, if present, are chalk marks with one chalk highlight. Every surface is drawn texture; no sepia filter, painted white glow, photographic patches, crisp strands or glossy eye reflections.

Create a new image entirely in the style of the attached image: the same medium, materials, technique, rendering and character design (how it builds faces, eyes, hair, bodies and proportions). Do not copy its color palette or its environment; colors and setting follow the direction at the end. Subjects: a woman and a man seated side by side at a small round cafe table with two cups and a croissant, and a merle grey-and-tan French bulldog sitting in front of the table facing the viewer. She has a short blonde bob, a cream ribbed cardigan, blue jeans and white sneakers, legs crossed, chin resting on her hand, smiling softly at the viewer. He has tousled light brown hair, an olive overshirt over a white tee, beige chinos and white sneakers, one hand on his cup, looking at the viewer. Everything, faces, hands, clothes and the dog included, is made in the style of the attached image; nothing photographic. Square 1:1 composition. Do not copy the attached image's people, objects or scene. Direction: whole-scene hand-drawn three-chalk drawing on mid-value cool blue-grey paper using only three chalks: warm red chalk for the middle planes of faces, skin and clothes, black chalk for structure and shadow, white chalk only for a few raised lights; powdery visible strokes everywhere, simplified drawn features, nothing photographic; clothes keep their real relative lightness mapped to these three chalks; terrace loosely drawn with a few strokes of foliage and paving, much bare toned paper. No text, letters, captions, banners, signs, swatches, color chips or decorative rules anywhere in the image. The artwork and any border finish completely inside the frame; nothing is cropped or overflows the edges.